brandon king
(b. 1984) 

multidisciplinary artist, from the Atlantic Ocean by way of Hampton Roads VA, brandon creates installations exploring African Diasporic identities, honoring his ancestors’ stories through archival and found materials, sound collage, painting, film, and other forms. his practice generates pathways to acknowledge and alchemize harms committed to disrupt despair, to equip and strengthen past, present, and future generations.


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brandon is a founding member of Cooperation Jackson, a cooperative network in Jackson Mississippi and currently serves as Executive of Resonate Coop, an international, open source, music streaming platform cooperative. subt.le is based in NYC and is currently an MFA candidate at Queens College focusing on Social Practice and Installation. he is also a member of the New York City based artist collective PTP

Al Jolson study figure (2001)

acrylic on canvas
21 x 17 inches


this sculpture, reminiscent of the contours of racist jim crow era anti-Black american memorabilia or collectables, becomes the focus of al jolson, white (european immigrant) american minstrel star. jolson, noted the “king of Blackface performers” was celebrated between racial lines as he tithered the line between entertaining and educating america on Black social life within all its contradictions. the piece invokes the question of what exactly did al see, do, or speak with to be able to present the nuances of Black life at the approval of Black people.